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In comparison with most California winemakers, Chenoa Ashton-Lewis and Will Basanta have had a really completely different harvest-season agenda this yr.
In city Los Angeles, they’ve picked grapes from deserted vines close to Dodger Stadium and from tiny yard vineyards planted by Italian immigrants throughout Prohibition. Close to the California-Mexico border, they’ve gathered Nebbiolo. And in an space of the San Gabriel Valley that burned in final yr’s wildfires, they’ve foraged for elderberries.
It provides as much as an eclectic set of fruit sources for Ashanta Wines, the couple’s fledgling label. Ashton-Lewis and Basanta say they’re drawn to websites like these, nonetheless largely uncharted by the California wine {industry}.
However the couple, whose ingenious model has gained a quiet following at Bay Space wine locations resembling Valley Bar & Bottle and Ordinaire, aren’t simply looking for novelty for novelty’s sake.
Sure, they’re making some fairly out-there wines — like a neon-red petillant naturel of the white grape French Colombard and elderberries, or a glowing mix of apple cider and wine grapes. However they’re additionally making rather more customary wines: crisp, zingy rosés and structured, full-bodied crimson wines that appear constructed to age.
And even if the Ashanta wines are zero zero — probably the most radical arm of pure winemaking, involving no chemical additions or changes in any respect — you wouldn’t have the ability to inform from tasting them. Their wines up to now are clear and targeted.
For 2 rookies who’ve solely a pair years of winemaking expertise, Ashton-Lewis and Basanta look to have a promising future forward.
“Once you make pure wine, there could also be a flaw,” says Basanta, referring to a bunch of bacterial points that may come up underneath this low-intervention winemaking protocol, imbuing a wine with flavors that some people find off-putting. “That’s not what we’re going for. We by no means wish to be the funkiest bottle on the shelf.”
Ashton-Lewis chimes in: “We actually simply wish to make basic reds.”
The story behind the couple’s wine mission includes an uncommon and complex historical past, stemming from a household winery planted on Sonoma Mountain in 1974.
After Stephen and Justine Ashton, Ashton-Lewis’ grandparents, planted Pinot Noir grapes round their residence there, they initially bought their harvest to native wineries like Gundlach Bundschu. Finally they began making their very own wine underneath their very own label, Ashton Winery. As a toddler, Ashton-Lewis, who grew up in Oakland, watched her grandparents look after the winery.
Then in 2017, the Nuns Fire swept by the property, destroying their residence and 80% of their Pinot Noir vines. The fireplace likewise burned the entire tools — from projectors to movie archives — that the Ashtons used for the annual the Wine Nation Movie Competition, an occasion they’d run for 31 years. A bit of the winery with Syrah vines survived.
“We had been evacuated for 3 weeks,” says Justine Ashton. “After we had been finally let again in, it was a burnt area. We misplaced every little thing. We thought, ‘Dang, that’s the top of that story.’”
The next yr, her husband died of most cancers.
By 2019, the way forward for Ashton Winery was unsure, in accordance with Ashton-Lewis. Her grandmother didn’t know if she wished to replant the portions of the vineyard that had burned, and even proceed making wine. On the finish of that yr’s harvest season, there was nonetheless a substantial quantity of fruit hanging on the vines.
“The birds had been going to eat the grapes,” says Ashton-Lewis. So she and Basanta, who had been residing in Los Angeles and dealing within the movie {industry} — he’s a cinematographer, she’s a author — drove as much as Sonoma.
Neither had made wine earlier than, however each had been nursing a ardour to attempt for years. Ashton-Lewis had dreamed of creating wine since she was a child; after her grandfather’s demise she felt moved to hold on his legacy. Basanta had turn out to be thinking about wine whereas engaged on the documentary sequence “Chef’s Desk,” when he tasted a pure orange wine from Friuli on the well-known Italian restaurant Osteria Francescana.
The wine they made off the Ashton Winery harvest in 2019 amounted to only 300 instances, and since they didn’t produce it at a completely licensed vineyard, they weren’t allowed to promote it. However a spark had ignited.
They satisfied winemaker Tony Coturri to allow them to arrange store at his close by vineyard on Sonoma Mountain. The power was enticing not solely due to its proximity, but in addition due to Coturri. He has been making pure wines because the Nineteen Seventies and has mentored many youthful winemakers in that point.
The extra time the couple spent within the Ashton Winery, which had been farmed organically from the start, the extra their reverence for it grew. Particularly after they made a outstanding discovery: two years after the Nuns Fireplace, new grapevines appeared to be bobbing up out of the soil.
Whereas strolling by her grandmother’s winery at some point, Ashton-Lewis tripped over one thing new: a little bit inexperienced shoot, the form of development you’d anticipate to see bolting out of a grapevine, however seemingly untethered. Fastidiously, they traced the shoot. It linked, by way of a slithery underground passage, to the bottom of the 52-year-old grapevines that had burned.
“A fireplace goes by your winery and also you suppose you’ve misplaced all of it,” Justine Ashton says. “However the roots had been fantastic. I suppose that is what occurs in a forest after a forest burns,” the flames clearing the way in which for brand spanking new life to emerge.
Finally, Ashton-Lewis and Basanta recognized about 100 of those new shoots. They wrapped them round wood stakes, coaxing their horizontal-growing limbs into makeshift vertical trellises. Because the seasons progressed, the shoots grew buds, which turned to flowers, which turned to fruit. That fruit went into Ashanta’s first wine, a co-fermentation of Pinot Noir and Syrah.
However the concept that they may proceed working the reborn winery quickly vanished. Justine Ashton and different relations determined to start making wine once more, reviving the Ashton Winery wine label. There can be no grapes left over for Ashanta within the 2020 classic.
The pair, although, remained decided to construct a wine enterprise. Like a lot of Los Angeles’ film-industry denizens, Basanta and Ashton-Lewis discovered themselves with out regular work for a lot of 2020. With extra free time, they traversed the state, scouting vineyards as far afield as El Dorado and San Diego counties. From the sources they discovered, they produced 11 completely different wines final yr.
Many are fairly spectacular. A cuvee referred to as Mawu ($44), a mix of Merlot and Chardonnay harvested from the identical winery in Sonoma Valley, smells like cranberry sauce and rose hips; it reads as a captivating light-bodied crimson. The pet-nat ($40) made with elderberries and French Colombard, a white grape, is clear and pure, tasting like zingy strawberry puree. Zareen, a Zinfandel from the Sierra foothills, jogged my memory of blackberry preserves after I tasted it from the barrel the place it was getting old. (It’s not but launched.)
A few of these fruit sources had been interesting, little doubt, for his or her affordability — particularly the San Gabriel Valley elderberries. Ashton-Lewis and Basanta foraged them for gratis aside from their gasoline mileage. However the couple additionally say they’re drawn to vineyards that really feel off the crushed path. Whereas they’re now shopping for grapes from some tried-and-true areas resembling Sonoma Valley, the Sierra foothills and Santa Barbara County’s Los Olivos, they’re equally excited by the prospect of creating distinctive wines from locations the place different winemakers don’t enterprise, like these forgotten vineyards in city Los Angeles.
Circumstance dictated a lot of their winemaking choices final yr. They wished to make piquette, a beverage made by combining pressed grape skins with water, however they didn’t have entry to high-quality water. So that they changed the water with apple juice, making a type of experimental fruit wine. Due to the widespread threat of wildfire smoke taint last year, they turned a lot of their cuvees into glowing wines, hoping that much less grape-skin extraction and a little bit little bit of carbonation would mitigate the results of the smoke.
Because the 2021 harvest approached, Basanta and Ashton-Lewis assumed that they’d not get any grapes from the Ashton Winery this yr. So they’d secured sufficient fruit elsewhere to make about 1,000 instances value of wine.
In early September, they obtained an sudden name. There was some Sonoma Mountain fruit for Ashanta in any case. So Ashton-Lewis and Basanta spent a morning harvesting the winery, together with the little clusters of Pinot Noir from the staked-up vines they’d found.
Their entry to any Ashton grapes subsequent yr remains to be up within the air. As film-industry veterans, although, they’re used to uncertainty. “We’ve structured our lives round issues we thought had been everlasting, after which they turned out to not be,” says Ashton-Lewis.
However, as she’s realized, generally one thing new can spring up while you least anticipate it.
Esther Mobley is The San Francisco Chronicle’s wine critic. Electronic mail: emobley@sfchronicle.com
Twitter:
@Esther_mobley
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